Review of New Psychological Thriller “Blood Honey”
Ever felt like your family was driving you mad? If so, then you’ll likely sympathize with Jenibel Heath, the main character in the new psychological thriller Blood Honey (see trailer here).
Blood Honey stars Shenae Grimes-Beech (Degrassi: The Next Generation) as the female protagonist at the center of the story. Ten years after Jenibel witnessed her mother’s suicide, she is summoned back to her childhood home by her dying father, played by the remarkable Gil Bellows (Shawshank Redemption, 11.22.63). Home, in Jenibel’s case, is a hunting lodge called “The Hive” that sits on a small island in the Canadian backcountry. It serves as the Heath family business, offering remote hunting trips and producing its own honey thanks to a colony of bees.
The only way to access The Hive is to fly in on a rickety amphibian plane. When Jenibel arrives, we get the first glimpse of the remotely located lodge. It clings to the slag of rock jutting out of the water like a barnacle clinging to a sinking ship. The setting is both serene and unnerving and it immediately sets the tone of the movie, hinting that things which look beautiful and perfect on the outside can be rotting and festering underneath.
There to greet Jenibel when she arrives is her family, which in addition to her antagonistic, alcoholic father includes her brother Neil (who has been forced to run the family business in her absence) and her special needs sister Linda. They all come together the first night and congregate by the fireplace. Reminiscing with old friends and a few of the regular hunting clientele. Drinking moonshine sweetened with homemade honey. It is here that we get a peek at just how important that liquid gold is to this family.
They say that blood is thicker than water, but in the Heath family, honey is thicker still. Honey is at the core of who they are. They put it in their booze. They sweeten their coffee with it. They even use a batch that went bad to poison any vermin that try to invade their home. In these examples and others, the film uses honey as a powerful metaphor for this family’s bond. But just as sweet honey can turn rancid and become poisonous, so too can family.
When Jenibel’s father commits a shocking act, she finds herself in a battle against the rest of her family. She wants to sell the hunting lodge; they want to keep it. The stress of it all pushes Jenibel’s already fragile psyche over the edge. She starts to see things that aren’t there. Are these repressed memories (what her therapist called “waking dreams”) or are they hallucinations? Is she going crazy or is her family poisoning her? Boundaries between real and imaginary, past and present, memory and hallucination, all become blurred until the truth is finally revealed.
As a psychologist, I was impressed with the many psychological themes threaded throughout the movie: Childhood trauma, recovery, suicide, repressed memories, forgiveness, mental illness. In my interview with the writer/director of the film, Jeff Kopas, I learned that he had consulted several psychologists during film development and I believe that approach paid off well. There is a sense of authenticity to this film that most psychological thrillers do not have. Clearly Jeff wanted to make a film that was both psychologically stirring and realistic (a hard challenge indeed). Directors take note: If you want an authentic psychological script, seek out the guidance of psychologists (like me!) during the writing process. After all, we are trained to know the ins and outs of people—their personalities, their behaviors, their deepest fears and aspirations—better than professionals in any other field.
I also enjoyed the eerie atmosphere of this movie. In an age when most theater fair is whiz-bang superhero films with massive sets and overdone CGI and bloated scripts, it was refreshing to watch an old-school feeling film where the remote location is as much of a character as the people. Blood Honey was filmed on a far-flung island where the cast and crew had to be boated in from the mainland each day and it shows. The sparse scenery, combined with the slightly out-of-tune piano score, provides a queasy mix of untouched beauty and isolation and loneliness that leaches through the screen like a cold breeze. It’s a feeling the viewer finds difficult to shake even after the film ends.
The power of the situation—a common theme in psychology—is also evident in this movie, in terms of the influence of Jenibel’s return home. As a young woman, Jenibel fled The Hive (both physically and mentally) and now she is forced to return. And despite the progress she’s made and the accomplishments she’s achieved as an adult, her return brings forth a flood of emotions and memories she thought were long-buried. And don’t we all feel a bit that way when we return home? Suddenly being thrust back into the physical presence of our childhood house or amongst our family members seems to regress us. We slip into old roles, pick up old fights where they left off years ago, and struggle to navigate the rocky waters all over again. Blood Honey does a good job of capturing that struggle we’ve all experienced and of demonstrating the powerful effect our physical and social environments have on our minds.
Lastly, as a researcher who studies prejudice and sexism, I appreciated the gender themes in the film. Despite the many talented actresses out there and the recent Time’s Up movement, it is still rare to find a film where the story sits squarely on the shoulders of a female protagonist. Especially a woman whose intrigue is in regards to her thoughts and feelings rather than her body or her romantic relationships. In Blood Honey, a small, frail woman is pitted against an entire hoard of brusque, intimidating men and yet it never feels like an unmatched fight. That fact is a testament to the well-written script and Jennibel’s well-acted character.
In terms of my overall evaluation of the film, I found it to be an engaging character-driven film that is rich in psychological tension. At 90 minutes, it is a tight movie (a quality I greatly appreciate), but it still offers a steady, slow build and never loses that sense of subtle menace. Blood Honey fits squarely within the “unreliable narrator” trend popular in film and novels these days, but still manages to stay fresh and offer its audience surprises. All in all, the movie strives to set the tone of a classic Hitchcockian thriller, although it doesn’t always reach that lofty goal. There are a few occasions where the jumbled imagery and dream-like sequences are confusing, but those moments are the exception rather than the rule.
Where I think this film truly succeeds is in its ability to loiter in the mind after the final credits roll. It is one of those movies that you walk away from and can’t easily get out of your head (I love those types of films!). Watch it with others and you’ll be discussing what really happened and what it was all about well into the night. Like honey itself, Blood Honey lingers on the palate long after it has been consumed.
I found the characters to be strongly formed and well-acted, especially that of the father. Although Gil Bellows doesn’t have a lot of screen time in this film, his role is incredibly powerful and unsettling. My only criticism here is that at times, the escalation of emotions in the film happened too quickly and as a result, came off a bit over-dramatic. Perhaps the slower build in these scenes got lost in editing (or perhaps the characters just need to lay off the honey liquor).
As both a psychologist and fiction author, I was delighted when Tricoast Entertainment contacted me to review the film and provide a psychologist’s perspective. Overall, Blood Honey is a richly hewn psychological thriller and I can’t wait to see what Jeff Kopas writes next!
To read my exclusive interview with Blood Honey’s writer/director (where we talk about the writing process, the “unreliable narrator” trend in film/novels, and how on earth he convinced Gil Bellows to douse himself in bees!), see my earlier post.
Blood Honey will be released in the US (DVD + VOD) on January 29, 2018 (click here to learn more about the film).